I had one on Saturday morning. Not as bad as I thought it would be, still no walk in the park (or walking anywhere for that matter. I can’t exactly bend at the waist at the moment).
Don’t even know what the scar looks like yet, as it’s quite sealed up. I get my first look on Wed when I followup with the surgeon. Good times.
I got Logic a few years ago for Christmas and did a couple of quick recordings to get familiar with it.
The first recording (MP3 6.6M - link fixed) is a cover (ok exact ripoff) of Spyro Gyra’s Heliopolis (link to iTunes preview of the real song). I midi’d all of the rhythm parts, then layered in some flute bits to take the electronic edge off, and finally added a couple of sax parts.
The second recording was just me messing around while I was in a bad mood. It’s called “So mean” (MP3 1.7M)
If anyone needs woodwinds for a recording project, let me know. I’m starting to think about playing for real-sies again.
Got this POS memo from City Park a few days ago wrt my iPhone being stolen from my car in their garage @ 475 Sansome in the SF Financial District. As noted in the post to which I am linking, they have one thing to say “NOT OUR PROBLEM.”
I get that, assholes. I read the contract posted 8 times on the wall. I read the contract on the back of my ticket. And I certainly couldn’t have missed it when I beseeched the valets (yes, valets. in a locked garage. one of whom stole my phone but it’s “not our problem”) to let me look in my car or do anything helpful, but who could only stand their drooling, picking lint out of their assholes, and pointing at the posted contracts on the wall stating “it’s not our problem.”
Thanks for the great customer service, and the compassion. Thanks for dealing with this matter so quickly. Thanks for doing thorough background checks and actually looking into a matter that damages your brand reputation.
Oh, and by the way, thanks for hedging your memo by rewording what I stated in my report to “phone MAY have gone missing.” What I actually said was that it was taken from my car which I left in the hands of one of your fast fingered valets.
Did I say thanks? I meant fuck you. In the heart. With a rusty, dull knife.
I may need to park there again if I work in our downtown office, but you can bet your ass I’ll take pictures of every thug you’ve hired and bleed on the internet about every surly encounter I have with you.
Some dickless wonder broke into my car (parked 10 feet from my bedroom window) in the middle of the night, making off with my cheap but awesome GPS toy purchased from woot.com, and my fastrak transponder.
the only good thing i can say about it is they used a hanger or jimmy bar to get in, and nothing was damaged.
Working at one of the larger interweb companies in the bay area is an interesting experience. Everywhere I turn I see familiar faces. It reminds me in no uncertain terms that you never. ever. EVAR. leave a nasty resignation letter. It will always bite you in the ass. Someone you stomped 8 years ago *will* be in your interview committee at some point in the future and they *will* remember you.
Double that for the design community. It’s a tiny world.
Luckily all the faces I see were left on happy terms.
I’ve tried to watch American Idol and hated it, because it’s based on a music industry (by which I mean a machine to manufacture pure shit) that panders to the very lowest common denominator. It processes, exploits, and features digital trickery to synthesize a homogenized slurry that has become the depressing norm of popular music, easily covering the embarrassing and painful mistakes of the talentless fame seeking retards who end up on the show. Undoubtedly it has uncovered a few nuggets of talent (Kelly Clarkson A++) I am also undoubtedly hypercritical because I am a trained musician.
I’ve been watching So You Think You Can Dance this season after friends and favorite podcasts shared lots of fun and catty commentary over the past few seasons. At the very least I figured I could ogle hot boys, but it’s a really fun show overall. I am not a dancer, so I’m relatively blind to the mistakes that are probably being made (and making trained dancers alternately cringe, laugh, and gasp in horror.) But I can enjoy the performance value of this, and know that while there might be some editing, the nature of smoke and mirrors in physical media is minimized here. These kids are working their asses off every week, stretching their technique and style into delightful, athletic, and hot entertainment.
Anyway… my real point was tonight’s performance by Neil and Lacie, performing Mia Michaels’ choreography of a very personal story: A very joyful reunion with her late father in heaven.
I cried. Mia cried. Mary (one of the judges) cried. Lots of people in the tv audience cried. It was freaking beautiful, awesome and powerful.
I don’t know if I could or would have cried over a performance like this if my grandmother hadn’t recently died (or both of my cats, or my cousin’s preternaturally smart and charming golden retriever). But I did experience those things, and thought of all of them while watching the piece, and it was A Good Thing.
Thanks Mia, (and, shockingly, thank you Fox) for a moving piece of television.
I am separating my personal and demi-professional blatherings. Professional stuff can be found at http://www.erikgibb.com/
I can now devote this, my personal blog entirely to bitching and whining and super foul language, where as the other one will discuss work things. That is all.